Norman Robert Catchpole
Catchpole's Studio
Ignite the Passion
Every Picture Tells A Story
Select Artwork accompanied by a story written by Poet/Author Hendrik Bennink.
Michael
February 2023
Based on a photo from The Washington Post
(their first visit to the Vietnam War Memorial)
Acrylic on Gallery Wrapped Canvas
1.5" Profile
30"x24"
$899 C plus shipping
Hey Michael, what are we both doing here?
How long will it be before we disappear?
Into the mud and guts of this new frontier,
It’s pretty straight forward, it’s all too clear.
Michael all this shit weighs a goddamn ton
I don’t know about you but I think I’m done
Don’t you feel like we’re always on the run?
From the loudest voice or the biggest gun.
And Michael, why am I so afraid?
Hiding behind a sandbag barricade
Backed up by a terrified child brigade
Somehow I feel like we’ve both been betrayed.
I was only eighteen and so were you
We were young and stupid with nothing to do
Bold and naive we didn’t have a clue
You’re looking at me and I’m looking at you.
Beneath the wasted beauty of a setting sun
I’m feeding the belt into your Vickers gun
The inane devastation is never done
The facts are twisted and the web is spun.
We are tangled puppets caught up in a lie
No explanation we’re never told why
Thrown on the front line and left there to die
Kill or be killed is the mournful battle cry.
Strike up the band and snap to attention
This isn’t a war it’s an intervention
A call to arms to relieve the tension
Apply the cure skip the prevention.
Look out Michael, looks like they’re on their way
How many lives will be destroyed today
Another round will blow those boys away
Their dance of death is like a grotesque ballet.
Large tanks till the earth leaving blood in their tracks
Choppers dive dispersing machine gun attacks
We’re surging forward, we’re watching our backs
We’re stuck in the mud we’re ditching our packs.
The sky is exploding it leaves you spellbound
Hey Michael why did you have to turn around?
I cradle your head above the blood soaked ground
As I wait for a medic who can’t be found.
We were never there and you never died
No gray ashes flew and nobody cried
Most of us are still crippled inside
Except the crass old men who cheated and lied.
Petty Cove, Maddox Harbour
November 2022
Based on a photo by RuthAnn Catchpole
​
Acrylic on Gallery Wrapped Canvas
1.5" Profile
40"x30"
$1250 C plus shipping
Fishing boats sway to the rhythm of the ocean’s waves as they lap the boulders along the shoreline. A silver bird circles a blood red sun and sails across the swelling breakers of the tempestuous ocean. A fisherman tugs at his knitted watch cap inspecting his worn nylon nets by the mornings new born light. Woodsmoke hovers along the shoreline before drifting up to the cabins scattered amongst the rolling hillside. Dolphins and whales self propel from the water as the local fishing vessel’s head out to an uncompromising sea. Lobster traps on lengths of knotted nautical rope are anchored in the cold, dark, mysterious waters.
Trawlers sweep the ocean’s floor taking all that they can, but always expecting so much more. Seabirds screech like the weight of the world rests upon their outstretched weathered wings. They stumble into chaotic flight patterns and noisily vanish onto another horizon. Deckhands and watchmen sing mythical and drunken sea shanties as they while away the interminable hours. The helmsman eyes his compass and navigates the ravaged vessel across the undulating water. Ghost nets hover above the ocean’s floor senselessly entrapping their oblivious bounty.
As the daylight surrenders to the call of the evening, fishing boats slowly return to the shores. A strip of fiery light streaked across the diminishing skyline is extinguished with the blink of an eye. The lighthouse keeper swings his glimmering lantern as he navigates the rocky path along the jetty. A woman on the coast steals nervous glances at the shoreline as she rests a glowing candle on her window sill. She places a pot of coffee on the wood stove then double checks the frequency on her amateur radio ... and I am out here watching the shifting constellations hoping that maybe the sky will explode, my telescope trained sharply on Sagittarius I am waiting for the darkness to encompass me.
Blue Haze
May 2020
Acrylic on Gallery Wrapped Canvas
1.5" Profile
40"x30"
$750 C plus shipping
A Blue Heron explodes out of a gray horizon, It’s majestic wing span envelops the gently blowing breeze. It falls from the skies like a seasoned paraglider, and comes to rest in the murky marshes of Mary Lake.
It stands like a stone statue, stoically observing the skyline, the shoreline and the waterline. His head pivots with the click of a camera shudder. It’s large wings unfold and the magnificent bird takes flight, effortlessly crossing the span of the lake until it disappears from sight.
Upon the shore the artist’s gaze is transferred from the skies to the Nikon camera strung around his sunburnt neck. He smiles wistfully, walking slowly, to the small log studio he carefully constructed with his calloused time weathered hands and enters the studio anticipating the images he has captured on his camera. His easel and naked canvas await the deft brush strokes that will slowly bring the Blue Heron back into his world ...
Right to Norman Robert Catchpole.
Old Cabbagetown
February 2022
On display at the Legislative Assembly of Ontario,
Queen's Park, Toronto, ON
Sept. 2022 - Jan. 2024
Acrylic on Gallery Wrapped Canvas
1.5" Profile
30"X40"
$1475 C plus shipping
CABBAGETOWN 1939
Yesterday’s heroes become tomorrow’s men
History unfolds then it begins again
There’s scattered ghosts drifting down the alleyways
The morning sun peeks out through a filtered haze
Cabbagetown girls smoking menthol cigarettes
Handed down in time by sister suffragettes
You’ve come a long way baby, don’t you look back
Keep one eye open, you’re still under attack
Moss Park boys meet girls on Parliament after dark
Hiding in the shadows they kiss and strike a spark
The women haunting Jarvis know what they’re about
You can try to leave but you’re not getting out
Rooms to let on Sumach, just twenty five cents
The unemployed drink gin. the petty thief repents
Broken men and women staring at four walls
Kids crack the mortar with India rubber balls
Boarded up basement windows in need of repair
No one wants to know what’s going on down there
Working class zeros waltz on factory floors
They dance through the streets as the foreman locks the doors
They ride the Streetcars to the unemployment line
They can’t crack the mold, it is there by design
The kids at Regent Street School all have big dreams
At fifteen years of age they’re just misplaced schemes
River rats on River Street, they all know the score
This is all there is there isn’t anymore
They paddle up the Don, find themselves in jail
Another power outage, another system fail
Someone forgot the cages when the zoo left town
We’ve got lots of room, why don’t you come on down